The economy of culture refers to the methods of obtaining money for carrying out cultural work, not the cultural work itself generating financial flows and income.
According to Ashura News, citing Mehr reporter, the book "Production, the Driver of the Economy" by Mohammad Qotbi was published in 136 pages by the Bustan Book Institute.
Economy and culture are considered the two wings of society's flight and create balance, equilibrium, and acceleration in movements in the form of Tomans.
The upcoming work examines production and creative economy and explains the position of innovation and technology in economic policies as drivers for sustainable development.
The author presents new perspectives by analyzing topics such as resistance economy, the concept of production, the role of humans, systems, capital, and creativity in the field of production, and by examining strategies for the leap in production and its adaptation to the needs of the digital age, he has discussed the necessity of transforming economic structures and strengthening the knowledge-based economy.
This work also comprehensively examines the relationship between culture and economy and explains the impact of production on daily life along with modern strategies.
The author states in the introduction to this work:
In this book, we have tried to examine the common ground between economy and culture in some areas and to address some of these. First, we discussed the resistance economy as the main foundation of the economy, and then we analyzed the concept of production, which is considered the driving force of the economy.
In the following, we considered what provides the grounds for production and becomes the fluid of production growth. In the next section, we considered strategies for production and discussed them in detail, and we also analyzed the conditions of the Corona period as one of the effective crises in the economy of culture.
Then, we analyzed the balance of wealth, which is one of the important social issues and has also received special attention in religious logic. In the following discussions, we addressed the strategic impulses of the digital age as effective components in the field of economy and culture, and we have explained some examples of these components in detail. From here on, we have focused on the relationship between culture and economy and analyzed its dimensions. Finally, we have examined the areas of life and management strategies for this issue.
What has created the core of these discussions is a deep attention to the two-way interaction of economy and culture, which requires more attention and precision, and should be addressed more than ever to strengthen cultural and social activities.
Excerpt from the work
Methods of securing cultural funds: This category means that when we want to do cultural work, how do we secure its credit and economy? What are the methods of securing cultural funds? What events should occur, what methods of securing cultural funds should be developed?
The economy of culture refers to the methods of obtaining money for cultural work, not to the fact that cultural work itself generates financial flows and income; that is, where do the money, capital, and income with which we carry out cultural work come from? By the economy of culture, we mean the economic resources of culture. In general, there are six methods (government credits, donations, service recipients, mobile businesses, investments, endowments) for securing cultural funds (which are explained in detail in this book).
Post a comment