Algerian poet and writer Mustafa Muhammad Al-Ghammari published a collection of poems he wrote in praise of the Islamic Revolution, and especially the late Imam, in a book titled "Green Sunrise from Tehran."
According to Ashura News, quoted by Mehr News Agency, Hojjatoleslam Mohammad Reza Zaeri wrote in a note: Mustafa Mohammad Al-Ghammari is an Algerian poet and writer born in 1948 with a doctorate in Quranic studies and a university professor who retired in 2012. At the same time as the uprising of Imam Khomeini and the victory of the Islamic Revolution, he composed poems about the revolution and the late Imam, and in the months after the victory of the revolution (in 1980), he published a collection of poems that he composed in praise of the Islamic Revolution and especially the late Imam in a book titled "Green Sunrise from Tehran".
Mustafa Mohammad Al-Ghammari is an Algerian poet and writer born in 1948 with a doctorate in Quranic studies and a university professor who retired in 2012.
At the same time as the uprising of Imam Khomeini and the victory of the Islamic Revolution, he composed poems about the revolution and the late Imam, and in the months after the victory of the revolution (in 1980), he published a collection of poems that he had composed in praise of the Islamic Revolution and especially the late Imam in a book titled "Green Sunrise from Tehran".
At that time, Algeria was not isolated from the mood of other Arab and Islamic countries, and the Muslim people of Algeria were searching for the ideal image of a modern and militant scholar in the uprising and struggles of Imam Khomeini.
At such a time, Mustafa Al-Ghammari published his book and immortalized the poems he had composed in this book, which was widely received and gained great fame.
This book was published in a 144-page format in 1980 by the Baath Printing House in Constantine, Algeria.
At the beginning of this book, he writes; "A dedication to the code of jihad and Islamic transformation of Imam Ayatollah Ruhollah Khomeini, who taught contemporary Muslim generations how to read the Quran and smash the tyrant."
This book contains eighteen poems (some classical rhymed and rhythmic poems and some modern and contemporary poems), the title of the book being taken from the fourth poem.
One of the poems is dedicated to the mourning of the martyred master Ayatollah Motahari, and another poem is a satire of Shahpour Bakhtiar, who dreamed of the collapse of the revolution in Paris!
Also, one of the poems in this collection celebrates the resistance of the Muslim mujahideen of Afghanistan against the aggressors of the former Soviet Union.
The poems of Mustafa Al-Ghamari, and especially this book, were met with such attention and reception from the Muslim elite and cultural activists at that time that when Imam Khomeini passed away a few years later, the late Sheikh Ahmed Sahnoun, one of the famous scholars of Algeria, mentioned it in one of his poems addressed to Mustafa Al-Ghamari.
The ode of the late Sheikh Ahmad Sohnoun begins with these verses;
Man al-Dhi Mat or Ghumari
Ya Mustafa Kon Akha Astabar
Imam al-Khomeini is right
or Mustafa al-Shaar la Tamar
My mood is great
And there is no slope!
Mat al-Imam Femin Torah
Oh Mustafa Hami al-Diyar!
He continues:
"But the greatness of the Imam will remain without being damaged or diminished. Someone who has lived with dignity and honor like Khomeini will not die. My brother, sing a poem worthy of great leaders in any tone and melody!
O great one who defeated the Shah and expelled the enemy from your land.
O one who created awakening and awareness and shattered the glory of the tyrant.
As long as there is a day and time, live eternally in hearts and remain a guide and guide towards greatness and greatness"!
Unfortunately, in the following years, this very positive atmosphere towards the Islamic Revolution faded, and the enemies of Islam and Iran, who were afraid of the unity of the Islamic nations, completely destroyed the basis for such positive relations and admiring views by involving the Islamic Republic of Iran in the imposed war and Algeria in the bloody crimes of the Black Decade on the one hand, and by promoting Iranophobia and Shiaphobia and creating differences in the public media on the other, to the point that even the republishing of these poems may be unthinkable.
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